Genre?

If you're like me, you quail when asked to tell what genre you're producing. The common understanding of that term won't fit my fiction. I have recently (within the past four years, say) rediscovered nonfiction, and even more recently (within the past two years) reconnected with poetry--but that's about as far as I can push classification.

Settling isn't romance, but it is a love story. Maiden Run isn't even that easy to classify, unless you could call it a sort of love story about one family's home with subplots about the lives of the siblings who must give it up. An editor whose judgment I trust calls my third novel "literary." I suspect the first two might fit that description as well. However, I  submitted an essay to a magazine seeking literary essays whose subject was an ideal fit. They rejected it because they said they were seeking "more literary" work. I guess that's an example of the usual myopia of an author.

I have a much admired friend who has published a large handful of romances in different subgenres. They are very good indeed, and each fits perfectly into the formulas that were required in the seventies when she wrote them. I was unable to bend my imagination to the plots and requirements of that kind of writing, while she relished the challenge as of a puzzle. I envy those who can both spot the necessary ingredients and how to present them within standard limits, and then craft fiction to fit. My characters are too apt to take hold and run outside any boundaries I may have decided on ahead of time.

Memoir seems to be on the upswing in popularity these days. Those I've read most recently all have some very much out-of-the-ordinary jumping-off point. One is about the peculiar (to an American readership) experiences of a woman who spent most of her life with a not too successful farmer in Africa while the upheavals of the fifties and onward were overtaking them. Another is about a very literate man who found himself not only imprisoned for a white collar crime, but incarcerated in the last remaining leprosarium in the US. Exotic places or circumstances might be enough to sell a memoir without too much trouble.  It's the same appeal fiction has:  the chance to experience something vicariously. It's a temptation to write a novel that pretends to be a memoir (not a new idea, heaven knows), and almost certainly, since it wouldn't be labeled as a memoir, you'd be right back where you started--that is, faced with the bare fact of your competence as a story-teller.

My main problem is how to approach an agent or publisher without recourse to classification--not because I'm unwilling, but because I don't know where my work belongs. Like most writers of fiction, I rely to a great extent on my own experience, but for a memoir, I have no eye-catching singular events to attract a reader. On the other hand, think of the poetry of a recluse like Emily Dickinson and the ruminations of an ordinary man like Thoreau.

I know you have to have a hook; I know you're supposed to be able to make "an elevator pitch;" I know you have to stand out from the hundreds doing the same thing. But even if you can follow those dicta, you have to find a way to fit into a slot before you can get anyone even to consider what you can do. You can't afford to pretend to be something you're not. This, I find frustrating.

Independence Day

Almost every hour of almost every day I am reminded--and today is another example. My husband always put our flag up on patriotic occasions. We have a socket for the pole affixed to the side of the house. No flag has graced it for more than a year now because I can't reach the socket, and perhaps couldn't heft the flag on its pole up there anyway.

Personal remarks like these seem trivial when we look at the big picture, of course, so herewith apologies. I have put the word "writer" in the subtitle of this blog. As such, I'd better grasp opportunities to prove I'm entitled to that moniker by exploiting any material for this space. At a late stage of life, I find more material than I have time to commit to paper, even if I'm willing to put ruminations out there where someone else can judge them. Then I think of those offerings from others that have been instructive or supportive or encouraging to me, and so here I go again.

First, anyone interested in memoir should have a look at the recent posting on Cool Plums Weblog. I may just be ready to declare a sort of independence day myself.

A problem with memoir, as I see it is that unless there is an extraordinary and/or exotic background (like Alexandra Fuller's Don't Let's Go to the Dogs Tonight) for the story, the autobiographer is in danger of sounding merely self-absorbed. Perhaps the author is. But I think in the best cases, as in a classroom, it's the obiter dicta--the throw-away remarks, the tone of voice (implied in the diction for a written piece, of course), the opinions that slip out that provide the fascination and usually, the instruction. The blog post mentioned above may give a good many people the courage to try the form once they get a feel for how to go about it while maintaining not only dignity, but credibility.

Enjoy your families, the grill, the fireworks, the pops concerts, and remember the occasion for the celebration today!

Exotic, Frightening, Inspiring

If you're like me you can't help reading. I've got past the cereal-box-if nothing-else-is-available stage, but I always need to have a book in progress along with a dwindling number of periodicals that I'm trying to catch up with. I wouldn't have it any other way. The problem is that from time to time, one of those books grabs a hold on my imagination and emotions and won't let go in time for me to go on to the next one.

Don't Let's Go to the Dogs Tonight by Alexandra Fuller is one of them. It's an autobiography about growing up in some of the most unforgiving conditions on the planet in three different countries in Africa. Fuller's parents' work ethic was phenomenal, and their capacity for endurance would have made the Oregon Trail feel like a stroll to them. Because there is nothing familiar to the ordinary American reader about places, names, people, circumstances your interest is guaranteed. The author has a unique voice. Descriptions rarely include conventional modifiers, but instead depend on hyphenated phrases that do more than a paragraph of ordinary prose could to make you aware of what Fuller wants you to understand.

There is so much horror and tragedy that the opportunities for bathos and self-pity by implication are too numerous. Not one is taken up. It's clear from the beginning that the mother is an alcoholic. Before long, it's also clear why. The entire white society seems heavily dependent on drink, and the children learn early, but the sorrows and defeats facing the Fullers would drown most people. No wonder they drink. No wonder the mother succumbs to it. Everyone smokes. Every day a new misfortune seems to befall the family. Yet you come away from the narrative with the most profound admiration for what they withstood without giving in. I have a profound admiration for someone who could tell such a story while resisting any temptation (or so it seems) to reveal how many scars she must bear.

If Sophocles was right when he proclaimed that one must know himself first, Alexandra Fuller has made it difficult to tell whether she has followed that admonishment. To have written this account with so little reference to her own feelings and that reveals almost nothing of how she now views the rest of humanity is a feat.

I can't help wondering if Wyoming (where she now lives) can possibly be wild enough for her. One thing she made no secret of in the book is her enduring affection for Africa, in spite of its frustrating failings, all of them the result of the amoral greed of Europeans. This is a memoir of a stripe as different as a zebra's from a palomino's.

Does anyone out there have suggestions on how to query an agent for a short story collection?

Is there anyone out there within 10 miles of Morganton who would like to be part of a critique group?

Anyone out there interested in how to write a generally interesting memoir?